Film Review: Hannah Arendt, reviewed by film critic Jean Oppenheimer

Hannah Arendt was one of the 20th Century’s great intellectuals. A refugee from Nazi Germany, the political theorist (a description she preferred over “philosopher”) is perhaps best known for coining the phrase “the banality of evil” to describe Adolf Eichmann, the Nazi functionary responsible for implementing Hitler’s meticulously planned “Final Solution” of the Jews. Covering Eichmann’s 1961 trial in Jerusalem for The New Yorker (she was there just for the opening few weeks), Arendt was confounded by how completely ordinary the defendant appeared to be.…

Another in a series of occasional film reviews: Starbuck

Fatherhood is a complex state of being—and for some, it’s simply inserting the sperm into the proper vessel. In the totally fun and moving Canadian film Starbuck, now playing here in Los Angeles, our shlepp of a hero David, does just that—in a sperm bank.  Over and over again.  It seems to be David’s best and most reliable way of earning a few extra dollars, over and over again. What David doesn’t realize is that the sperm bank uses his donations in a most enthusiastic…

War Witch: Another in a series of reviews by film critic Jean Oppenheimer

War Witch, one of the five recent Oscar nominees for Best Foreign-Language Film, has a reputation as a powerful but almost unbearably grim film. Is it difficult to watch?  At times, very much so, but don’t let that dissuade you. A story of human resilience in the face of terrible cruelty and sadness, War Witch is a remarkable film on every level: emotionally raw, profoundly moving, totally engrossing and superbly acted, shot and directed. First-time actress Rachel Mwanza gives an extraordinary performance as Komona, a…